A New Chapter for Urbanism in Middle America

An excerpt from Founding Principals Nina Chase and Chris Merritt’s article for Common Edge. The full article can be found here.


When people think about forward-thinking approaches to public space and landscape architecture, the Midwest and the Rust Belt are not often the first places that come to mind. More familiar images of Middle America tend to be flyover landscapes, farmland, and hollowed-out, post-industrial Appalachian cities.

But imagine efforts to transform Indianapolis’ most trafficked and iconic roundabout, Monument Circle, into a true civic public space. Or reimagining the edges of one of Pittsburgh’s iconic bridges—flanked by multiple freeways—as a new park space. Or plans to convert the catacombs beneath Indianapolis’ 19th century social hall into a public garden. These are all examples of what we like to think of as a new chapter for Middle American urbanism—with place-specific investments in public space that are reshaping heartland cities from car-centric and post-industrial landscapes into thriving, human-scaled environments with a distinctly post-coastal identity.

Across the region, a growing movement is elevating more diverse stories and nuanced perspectives. Residents, advocates, and political leaders are reclaiming the narrative of Middle America, acknowledging the region’s contemporary challenges while advancing hopeful visions for its future. Designers, particularly landscape architects, are working alongside communities, civic leaders, funders, and allied professionals to help shape and implement regionally specific futures rooted in local culture, ecology, and identity.

A New Chapter for Public and Civic Landscapes in Middle America

Post-industrialization led many Middle American cities to abandon the very infrastructure and assets that once made them economic engines: waterfronts, rail corridors, industrial sites, and civic spaces. In the 1980s and 1990s, many cities turned toward large-scale sports, shopping, and entertainment districts often dominated by parking infrastructure and designed primarily around the automobile. By the early 2000s, a copy-paste approach to landscape architecture and urban design had also taken hold, importing ideas that had been successful elsewhere with little regard for local context and culture.

The legacy of these decisions can still be seen today in parks, plazas, and public spaces across the region that often feel dated, underutilized, disconnected, or placeless. All of it reinforced a cycle of lowered expectations and continued investment in the status quo.

But over the past decade, a different approach to public space has begun to emerge across the Midwest, the Rust Belt, and Appalachia. The region is regaining confidence and embracing experimentation, with growing excitement around new approaches to spatial design and civic investment. Increasingly, strong ideas are being matched by the political will, institutional support, and public energy needed to bring them to life.

These efforts are being championed by forward-thinking civic leaders like Cleveland’s Mayor Justin Bibb, institutions such as The Kresge Foundation, The Cleveland Foundation, The Cummins Foundation, and The Heinz Endowments, and nonprofits like Landmark Columbus Foundation, LAND Studio, and Riverlife that are helping build broader coalitions committed to the future of public space in the region.

At the same time, many designers have returned to the cities and regions they care deeply about to address a longstanding lack of forward-looking, contextually grounded public projects. Together, they’re helping reshape the culture of design and planning in Middle America.

What is emerging is what we see as a new vision for the region, with public spaces rooted in regional identity and responsive to local social dynamics, cultural significance, historic context, ecological systems, and infrastructure. Rather than replicating models from elsewhere, these projects are deeply tied to the places they serve.

So what does this look like in practice? Read the rest of the article here.

Introducing The Monument Knows

Introducing The Monument Knows, a public humanities and civic research project centered on the Soldiers and Sailors Monument and Monument Circle in downtown Indianapolis. The Monument Knows invites Indianapolis residents to explore one of the city’s most iconic public spaces through public conversations, historical research, and experimental uses of technology. The project asks a simple but intriguing question: what does the monument know?

The Monument Knows is a project of Monumental Gestures, developed in partnership with Merritt Chase and supported by a grant from the Mellon Foundation. The initiative includes two interconnected efforts: a four-part public conversation series, and an experimental AI research project developing a tool that enables the monument to “speak.”

A Park on Monument Circle

We are excited to have our work on Monument Circle in Indianapolis featured in Fast Company. From a temporary park to future planning, we are working with the City and many downtown partners to think about the city’s most iconic and beloved public space. You can read more here.

Building Sports & Entertainment Districts for People

We were recently featured in Fast Company with 10 other designers discussing what needs to be redesigned in 2026. With development happening across the country focused on new sports and entertainment districts, we think about a people-first, human-scaled, every-day approach to design. You can read more below. The full article is availble here.


In the late ’90s and early 2000s, large-scale entertainment and sports districts were built in cities across America. These areas were designed with one very lucrative function in mind: to cater to massive crowds of sparsely scheduled mega events. But the other hundreds of days a year, these spaces sit largely empty with limited activity or use.

Today we have an opportunity to redesign these districts so that they not only accommodate dynamic, memorable, and safe experiences around game days, concerts, and conferences, but also support people who want to sit with a coffee in the middle of a Tuesday or meet friends for a live performance, art class, or outdoor movie screening on the weekend.

To do this, we need to introduce flexibility and comfort. Multi-purpose plazas can cater to large events but also provide comfort day-to-day with furniture and features that serve many purposes. Imagine a large plaza designed for a tailgating crowd but also designed to transform with lots of moveable furniture under a shaded tree canopy for gathering on a non-event day.  Stepped wooden platforms can be used as a stage or also for seating or play. Wide sidewalks with large trees for shade and street furniture (e.g. benches, planters, bike racks, lighting) create great urban streets while also being designed for crowd security and protection.

As we head into a multi-year period of American cities preparing for mega events like the World Cup, the Olympics, and the 250th anniversary of the signing of the Declaration of Independence, designers working on event spaces should remember that the motivation to rehabilitate these places shouldn’t be either function for large events or daily life. It’s both. Enduring urban spaces should be able to do it all.